OPENING NIGHT It’s been a long time coming, but it’s finally here. The much anticipated Launch Party of this little magazine. The lovely folks at 1000 Pound Bend have kindly decided to host our not so little opening night, so make sure you head down on Friday the 15th of April. You’ll be given the... Read On

The second in a series of promotional videos for the annual “Back in the Days!” hip-hop exhibition in Paris, this clip highlights photographer Jonathan Mannion. Speaking candidly about his experiences, Mannion talks about documenting the rise of hip-hop culture for the past 15 years, watching as it grew from an underground movement in the early... Read On

Phlegm Sheffield, UK Read On

50 and 50 is a collective, curated project where fifty designers are invited to represent their state by illustrating its motto. A new piece will be posted every weekday. Read On

Something’s brewing over at Marvel Comics and Stussy… I can’t wait to see the final result. Seen on the back of this season’s Stussy catalogue is the tastiest of teasers, unsure about the details between the two graphical masterminds … can’t wait to see. Read On

Our friends at 1000 Pound Bend have revamped their upstairs screening area and created it into another exciting space. I can’t wait to see what it looks like. Read On

‘Bleed Blue’ is a series of paintings representing the blue collar class in a reverential, yet personable way. Influence was drawn from Eastern European Orthodox art, street art, and skateboard culture. – Adam Smith I absolutely love the detail that he’s put in these pieces. The illustration style reminds me a little of those Sesame... Read On

Born and raised in Caracas Venezuela, Max Vogel a.k.a Razauno uses the experiences acquired from his growing process in a third world country as an influence in his work. His style is also determined by Stevie Wonder music, seventies’ psychedelic, comics books, protest art and skateboarding culture. Razauno has collaborated with such companies as Fiveboro... Read On